How To Start A Production Company Without Going Broke
If you want to make a movie, you need to establish a production company. In this filmmaking article, producer Jason Brubaker explains why.
If you want to make a movie, you need to establish a production company. In this filmmaking article, producer Jason Brubaker explains why.
Surviving the Movie Industry in times of change is similar to surviving other industries going through change. Necessitated by the need for cash (survival), many of you will be forced to see the world as an entrepreneur. Even if you aren’t ready, you may have to learn how to produce your own profitable movies…
In this filmmaking article, Jason Brubaker shares the secrets of successful indie filmmakers. And the first secret is, don’t give up.
Have you ever known a filmmaker who sent their demo reel into the Hollywood abyss? Maybe they sent it to an agency or a production company in hopes someone would discover their talent and hire them. Similarly, many screenwriters and aspiring actors have been known to employ this strategy too.
OK. So you made a movie. Great. And so what if traditional distributors rejected you. Lets talk about how you’re going to market your movie, so you have the chance at recouping a little investment.
Listen. If you’re an ambitious writer, I’m going to tell you a secret. There is no better feeling in the world than the day you stop sending query letters and instead, you start producing your own work. For years and years, you have dreamed about seeing your work on the big screen. You know you’re good. So why ask for permission?
In this fun filmmaking article, we explore 5 unsurprising reasons friends are a horrible movie crew. Read this article to find out why.
For filmmakers interested in making a feature documentary, advancements in production technology has created the golden age. Equipped with a camera, it’s never …
You need to Create a Plan B for your movie. You need to cover your butt! This filmmaking article provides three tips to help you avoid crying on set.
Making a good movie starts with a good screenplay. And assuming you’ve written, or you control the rights to a fantastic script that you would like to produce, the next step creating a script breakdown and film scheduling.
I spoke at the UCLA film school and I got the impression that the next generation of filmmakers are open to new ideas, and new ways of making movies. Thanks to familiarity with YouTube as well as access to affordable production equipment, many modern filmmakers are embracing accessible, non-discriminatory distribution channels without hesitation or excuses.
One benefit of shooting with the Canon 7D was at a train station. Normally shooting this scene with another camera, it would catch a lot of attention and we probably would have been run off by security immediately. Knowing that there was no dialogue during this scene, I was able to shoot bare bones with the 7D and probably from a far, it looked like we were just taking pictures. No security ever questioned us and we filmed that entire sequence in under 40 minutes.
For Los Angeles based fimmakers looking to take their show to business, I recommend checking out the next Norman Berns workshop. In this full-day, hands-on instruction, you will gain experience on scheduling, budgeting, business plans, ptiching, fundraising and distribution.
As a result of lower priced production equipment, coupled with non-discriminatory distribution, YOU can make, market and sell your movie this year and you don’t need to ask permission.
Shy and awkward is how screenwriter Seth Lochead describes himself. When he was starting out he felt he had to choose between building his career by socializing or by writing a great script.
I interviewed Nathan Wrann because he serves as a good example for any filmmaker who ever wanted to make movies without making excuses. In our talk, you’ll get down and dirty tips for no-money productions, promotion, marketing and distribution. This is a man who doesn’t care about reviews. This is a filmmaker who wants to do meaningful work that is unique.
Earlier this week, I caught wind of an indie production company based in Australia called Rapidfire Productions. This is a production company that operates as a self sustaining modern moviemaking business. They develop movies, get money, make their movies and through their own distribution arm, the company reaches the masses.
The world of filmmaking is changing. I believe we are in one of the biggest paradigm shifts in this industry, ever. In short, production is less expensive than ever, and distribution options are wide open. To help you navigate this ever changing brave new world of filmmaking, I am giving away downloadable copies of my free filmmaking book.
A few years back, while flying aboard a loud propeller driven airplane somewhere over the snow capped mountains of Colorado, I heard the …
As a filmmaker, I assume your primary goal is to make movies. But as you know, making a movie requires many steps. So to plan your next movie as well as some of other big whoppers you wish to accomplish, I suggest breaking your goals into smaller and smaller chunks… And then finally break them into small enough chunks so you can include them in your list of daily tasks.
As you may or may not know, independent film funding can be a little overwhelming. If you’ve ever dabbled in the business side of making a movie, you know what I mean. The first time I heard people talk about writing a business plan or offering a private placement memorandum, I suddenly felt like I was on another planet. And if you’re like most filmmakers, you would much rather focus on actually getting your movie made, instead of cold calling rich and successful people to set up random pitch meetings…
As you probably know, there are several different types of movie producers in the industry. With all the different titles, sometimes trying to figure out who does what and why, can be a little confusing. Today, I’m going to provide an overview of the different types of movie producers and what they do.
Chris Ward is an independent filmmaker currently residing in Stamford, Connecticut, which is about 35 miles outside New York City. Chris spent many years producing documentaries for Network television. He also teaches filmmaking at Quinnipiac University and the Maine Media Workshops. Fog Warning, his second feature, was just picked up by Wonderphil Productions and he has agreed to share his experience with Jason Brubaker of Filmmaking Stuff…
Shoot your first feature in high definition, not DV and not Film. Why? DV looks like crap and film is way too expensive and in my opinion, too risky for a first feature with a limited budget.
Somewhere between then and now, I relocated to Los Angeles, spent time working as an executive for a fortune 500 Investment bank, started a production company, garnered producer credits on some feature films, became a cult zombie fighting action hero (dream come true!), and made friends with some of the most well respected professionals in the industry.