Filmmaking Secret Revealed: What They Don’t Want You To Know
Wouldn’t it be great if there was one big filmmaking secret? Something so incredible that if you applied it, you would accelerate your …
Wouldn’t it be great if there was one big filmmaking secret? Something so incredible that if you applied it, you would accelerate your …
In this filmmaking article, we provide tips on how to network and importantly, how to network in Hollywood. Read this article if you want some awesome tips.
Filmmaking in Hollywood is a tough career. What price will you pay to become successful in Hollywood?
Could you go to “networking events” and try to find folks to help introduce you to the appropriate contact? Yes. But just as easily you could pick up the phone, call your prospective contact’s place of business and try to get him or her on the phone to make your pitch.
In this filmmaking article, Jason Brubaker shares the secrets of successful indie filmmakers. And the first secret is, don’t give up.
By now you’ve heard of crowdfunding. But the little secret that nobody is talking about is this – Not all movie projects will get fully funded by the crowd. BUT. . .
You should never burn a bridge in the movie industry. Your word is your honor. Here are the 5 laws for Hollywood Success…
Have you ever known a filmmaker who sent their demo reel into the Hollywood abyss? Maybe they sent it to an agency or a production company in hopes someone would discover their talent and hire them. Similarly, many screenwriters and aspiring actors have been known to employ this strategy too.
Coming up with an accurate film budget can be a sobering experience. You either find out that you need to raise more money or cut your budget entirely. And if you’re anything like most independent filmmakers, both options suck. But don’t worry. This article offers three ways to cut your movie budget (and increase production value).
In this filmmaking article, LA producer Jason Brubaker shares tips on how to build rapport with movie investors (and other heavy hitters)
Regardless of distribution technology, your audience still values the visual representation of your movie as a tangible product. And in ways akin to marketing an eBook via Amazon Kindle, you still need a killer design to represent your movie.
I spoke at the UCLA film school and I got the impression that the next generation of filmmakers are open to new ideas, and new ways of making movies. Thanks to familiarity with YouTube as well as access to affordable production equipment, many modern filmmakers are embracing accessible, non-discriminatory distribution channels without hesitation or excuses.
I’m pretty skeptical about script contests as a way to further your career. There are success stories but I think they’re the exception. So I was interested to read the view of Chad Gervich on the Script website. He says that winning a script rarely gives you the edge
I love Kevin Smith’s attitude towards modern movie distribution. If you’re like most independent filmmakers, what Kevin was able to accomplish from his days of Clerks has been amazing. Back then, he not only dreamed the Sundance Dream, but he realized the dream as well.
For Los Angeles based fimmakers looking to take their show to business, I recommend checking out the next Norman Berns workshop. In this full-day, hands-on instruction, you will gain experience on scheduling, budgeting, business plans, ptiching, fundraising and distribution.
“If you want to make a living making movies, you need to realize that your library and the subsequent audience you source (over your career) are your major assets. And, as a result, your most important filmmaking focus (aside from doing good work) is to acquire and keep a customer,” he emphasizes.
Since starting Filmmaking Stuff, many screenwriters have written me, asking if I could provide advice on how they can protect their screenplay from theft. I usually tell screenwriters that most producers will not go through the process of raising a gazillion dollars without compensating the screenwriter fairly.
I started Filmmaking Stuff because I wanted to help filmmakers make movies and also, create a self sustaining movie business. In other words, if you have the passion to make movies, then you owe it to yourself to get moving! The following filmmaking video provides you with a brief overview of the Modern MovieMaking Method. I also show you how to grab over $100 dollars in filmmaking tools, free.
Earlier this week, I caught wind of an indie production company based in Australia called Rapidfire Productions. This is a production company that operates as a self sustaining modern moviemaking business. They develop movies, get money, make their movies and through their own distribution arm, the company reaches the masses.
As a feature filmmaker, one of the biggest problems YOU have is finding a traditional distribution deal (that actually makes sense) for your movie. With each passing day, we get closer and closer to a world where DVD sales channels are being replaced by video on demand. And while we are not there yet, after spending the greater part of last weekend watching streaming content on NetFlix and Hulu, I am now of the opinion that the days of DVD distribution are numbered.
One of the most important filmmaking strategies you must adopt in this era of modern moviemaking is a long term perspective. In years past, filmmakers focused on making one movie, selling it and then moving on to the next movie.
One secret I utilize is frequent press release submissions. Years ago, it was advised that you only wrote and submitted press releases when you had something newsworthy to say. But these days, in addition to targeting traditional news outlets, most press releases are included in search engine results. Without getting overly technical, this means for a very small amount of money, submitting one press release complete with links to your website can increase your web footprint.
Filmmaking is changing. Like it or not, if you want to make a living making movies, you need to learn about the business side of independent movie making. And if this is your first time on filmmaking stuff, you are reading step 4 of a 7 part series on how to sell your movie How To Sell Your Movie On iTunes, Amazon and Netflix For Maximum Profit.
Your friendships with other filmmakers dictate the scope and scale of your movies. And while not everyone you meet in the movie industry is going to become your best friend, it’s always great to know who to call, to help you make things happen.
Since starting Filmmaking Stuff, this site has grown to attract thousands of filmmakers, globally. And for me, the growing popularity of this filmmaking website is equal parts exciting and humbling. As a result, I feel I have an increased obligation to make your visit more meaningful. And to that degree, I have decided to provide you with well over $100 dollars worth of filmmaking products, for FREE.
A few years back, while flying aboard a loud propeller driven airplane somewhere over the snow capped mountains of Colorado, I heard the …
Richard Abramowitz is president of Abramorama, a consulting firm specializing in the production, marketing, distribution and representation of independent films. Earlier this week, Richard took a few minutes to chat with Filmmaking Stuff and answer questions regarding the current state of independent movie distribution…
As you probably know, there are several different types of movie producers in the industry. With all the different titles, sometimes trying to figure out who does what and why, can be a little confusing. Today, I’m going to provide an overview of the different types of movie producers and what they do.
If you make a mistake, fess up to it fast. Make amends. In Hollywood, relationships are everything.
Jason Brubaker of Filmmaking Stuff caught up with Peter D. Marshall for a few minutes earlier this week to ask him about his new online filmmaking course.