How To Start A Production Company Without Going Broke
If you want to make a movie, you need to establish a production company. In this filmmaking article, producer Jason Brubaker explains why.
If you want to make a movie, you need to establish a production company. In this filmmaking article, producer Jason Brubaker explains why.
In this filmmaking article, producer Jason Brubaker talks about the importance of screenwriting and having a good screenplay.
In this article, indie filmmaker Jason Brubaker explains the importance of audience list building and email marketing for movies.
By now you’ve heard of crowdfunding. But the little secret that nobody is talking about is this – Not all movie projects will get fully funded by the crowd. BUT. . .
Are you looking for your next Four-Quadrant natural disaster, Sci-Fi movie? I have an idea that will blow you away. It’s about the end of the universe and involves spaceships and aliens and zombies and disease and it includes a love story. Please email me back today because this is going to make BILLIONS! And I can only wait a few minutes for your response before I pitch this to someone else.
Because distribution was once discriminatory, many first time independent feature filmmakers had to hold their breath in hopes their movies would get into a film festival, buil buzz, and (hopefully) garner a great distribution deal, complete with a cash advance. But that is an outdated model.
Your filmmaking “Audience List” is your most important asset. And let me give you 5 reasons ALL filmmakers should start building their audience list (based on our mistakes) today!
OK. So you made a movie. Great. And so what if traditional distributors rejected you. Lets talk about how you’re going to market your movie, so you have the chance at recouping a little investment.
The first step in selling your movie (or movie idea) is to find your movie hook. This filmmaking article shows you how to sharpen your movie hook so you can make your movie remarkable.
In this filmmaking article, film distribution we explore the secrets of online movie advertising… And how YOU can use this info to sell more movies.
A BIG reason movies fail is because filmmakers do not define their target audience. This article provides quick tactics on how to find your target audience.
I get excited about Video On Demand and the various popular internet marketplaces like iTunes and Amazon, is because movie distribution is no longer discriminatory. This means that you can actually control your own business and marketing plan.
For Los Angeles based fimmakers looking to take their show to business, I recommend checking out the next Norman Berns workshop. In this full-day, hands-on instruction, you will gain experience on scheduling, budgeting, business plans, ptiching, fundraising and distribution.
As a result of lower priced production equipment, coupled with non-discriminatory distribution, YOU can make, market and sell your movie this year and you don’t need to ask permission.
Your filmmaking crowdfunding campaign will allow you to raise money – but as an important ancillary benefit, your campaign will also allow you test your movie concept with a built in, responsive focus group. Assuming you reach your funding goal, you will not only generate your initial buzz…
“If you want to make a living making movies, you need to realize that your library and the subsequent audience you source (over your career) are your major assets. And, as a result, your most important filmmaking focus (aside from doing good work) is to acquire and keep a customer,” he emphasizes.
Since starting Filmmaking Stuff, many screenwriters have written me, asking if I could provide advice on how they can protect their screenplay from theft. I usually tell screenwriters that most producers will not go through the process of raising a gazillion dollars without compensating the screenwriter fairly.
Earlier this week, I caught wind of an indie production company based in Australia called Rapidfire Productions. This is a production company that operates as a self sustaining modern moviemaking business. They develop movies, get money, make their movies and through their own distribution arm, the company reaches the masses.
As a feature filmmaker, one of the biggest problems YOU have is finding a traditional distribution deal (that actually makes sense) for your movie. With each passing day, we get closer and closer to a world where DVD sales channels are being replaced by video on demand. And while we are not there yet, after spending the greater part of last weekend watching streaming content on NetFlix and Hulu, I am now of the opinion that the days of DVD distribution are numbered.
One of the most important filmmaking strategies you must adopt in this era of modern moviemaking is a long term perspective. In years past, filmmakers focused on making one movie, selling it and then moving on to the next movie.
One secret I utilize is frequent press release submissions. Years ago, it was advised that you only wrote and submitted press releases when you had something newsworthy to say. But these days, in addition to targeting traditional news outlets, most press releases are included in search engine results. Without getting overly technical, this means for a very small amount of money, submitting one press release complete with links to your website can increase your web footprint.
Do you want to come meet and ask questions about Video On Demand and internet marketing for your movie?
On November 11th, I’ll be speaking and participating in the 2010 Indie Film Finance And Production Conference in Los Angeles.
The traditional independent filmmaking business was defined by a filmmaker finding a script, locating investors, raising money, making the movie and then landing an awesome distribution deal – and living happily ever after. Over the last few years, the entire model of indie filmmaking has gone Topsy-Turvy…
Since publishing the modern moviemaking manifesto, some of you have written, requesting an online community where you can share ideas with other filmmakers involved in our movement. So I have taken the initial steps to creating the modern moviemaking community. If you want to be among the first to know about it (because it’s exclusive), make sure you get on the list.
Earlier this week, veteran Hollywood screenwriter Jurgen Wolff stopped by Filmmaking Stuff to offer three valuable screeenwriting tips and also, tell you about his upcoming writing workshop in Las Vegas.
When your in the filmmaking process, getting a website up and running is one of those things that filmmakers oftentimes forget. Please don’t. Given the ways in which distribution is changing, having a great website for your movie is probably one of the most important aspects of your eventual movie marketing campaign.
With YouTube Rentals, you will be able to upload your movie and expand your reach via the world’s largest online video community. This amazing VOD outlet will provide filmmakers with an awesomely cool new way to generate revenue – on one of the most popular video streaming sites in existence.
Richard Abramowitz is president of Abramorama, a consulting firm specializing in the production, marketing, distribution and representation of independent films. Earlier this week, Richard took a few minutes to chat with Filmmaking Stuff and answer questions regarding the current state of independent movie distribution…
If you have to travel the route of self distribution these days, I can honestly say that reaching a global audience is as easy as the click of a mouse.