When I published my article on leveraging VOD sales to finance your movie, I had no idea that a simple internet marketing formula for filmmakers would be such a polarizing issue. I can’t tell you how many Los Angeles based movie producers responded negatively through email. One guy even told me my grammar sucked.
You can now utilize Distribber to sell your short film on iTunes. Read this film distribution article to find out how to get your short onto iTunes.
In this filmmaking article, distribution executive Jason Brubaker shares 7 lies distributors like to tell filmmakers.
Take a look at your trailer. Is your trailer congruent with your hook and the marketing elements we covered earlier? If not, I suggest you recut and refine your trailer to make sure your marketing message is consistent. In doing this you will have to find the balance between showing enough to sell your movie and giving away so much that you spoil the story. And since your movie trailer will be posted on various websites, you should also add a title card with a link to your movie website.
One of our Filmmaking Stuff readers asked: “Can you make money with digital distribution?” “As a filmmaker, I would like to make a …
How do I get my movie on iTunes? That is the question. And in this film distribution article, you’ll get solid tactics on how to get your movie in iTunes
Because distribution was once discriminatory, many first time independent feature filmmakers had to hold their breath in hopes their movies would get into a film festival, buil buzz, and (hopefully) garner a great distribution deal, complete with a cash advance. But that is an outdated model.
Do you remember retail DVD distribution? Do you remember walking into a video store and renting a video? Those days are gone. The demise of retail DVD distribution means that you can no longer depend on some video rental chain to buy 5,000 copies of your DVD. The advent of the internet…
In this filmmaking article, Los Angeles Producer Jason Brubaker answers the question – Is it possible to make money with video on demand distribution?
While creating creating community around your title, building buzz and increasing your fan base is both challenging and fun, a lot of filmmakers have no idea how to get started. In this regard, one of your first steps is to determine if your movie is ready for the marketplace
“How do you plan to sell this movie and return my investment?” That’s the question prospective film investors are going to ask you.
Many filmmakers with an independent movie and no deal make the mistake of forking over their VOD rights to bottom-feeding traditional DVD distribution companies, promising to their titles onto iTunes. In some cases, these filmmakers give up their rights for up to seven years.Why?
Making a movie is exciting. But behind all the excitement, you’re wondering: “How am I going to sell this thing?” Download this how to sell your movie checklist.
Today I am going to supply free marketing advice to filmmakers. (I always provide free advice of some sort.) But before you read another word, know this…
Yesterday I had breakfast with a studio executive from one of the Majors here in Los Angeles. Much of what we talked about revolved around changes in the movie industry and how many of the studio folks are slow to implement new ideas. With an estimated 30,000 to 50,000 independent movies flooding the market each year, the movie industry is experiencing what happens to any industry when cheap labor, inexpensive production…
If you are wondering about the future of filmmaking, I can tell you it is not Hollywood. It will be the gazillion filmmakers all over the world who take action, pick up a camera and make the movie they can make with the resources they have. There are a lot of people fearful of this shift…
As a filmmaker, getting your movie into the various VOD marketplaces takes way longer than it should. The reason for this is simple. Every platform including iTunes, Amazon, NetFlix, Hulu and The Watchbox all want great content. The delivery standards required by some of these platforms are so high, that if even one frame is messed up, your title will be rejected! This is why video aggregators work with amazing encoders…
Are you afraid to start selling your movie on iTunes and Amazon and Hulu because this will somehow deter traditional distributors turned aggregators from acquiring your movie… So that they can get your movie onto Amazon, iTunes and Hulu? Please explain…
I get excited about Video On Demand and the various popular internet marketplaces like iTunes and Amazon, is because movie distribution is no longer discriminatory. This means that you can actually control your own business and marketing plan.
A lot of filmmakers (who do not have website traffic) are being fed the idea that “content enablers” will magically source an audience. When I wrote the post about website streaming, I did so more in response to the never-ending slew of emails I get from various PR firms trying to push the next streaming gizmo for indie filmmakers – none of which solves the blatant problem of actually getting enough people to watch the movie…
Since starting filmmaking stuff, I’ve noticed an increase in the amount of spammy hype emails promoting new filmmaking technologies that allow filmmakers to stream their independent movies. While many of these companies have a cool concept, the truth is, I think many of these streaming solutions are a waste of time.
In an effort to create useful iPhone apps for filmmakers, www.appsForFilmmakers.com is being launched today. The site will help take filmmaking out of Hollywood, and put it into the hands of filmmakers, literally
Earlier this week, I caught wind of an indie production company based in Australia called Rapidfire Productions. This is a production company that operates as a self sustaining modern moviemaking business. They develop movies, get money, make their movies and through their own distribution arm, the company reaches the masses.
As a feature filmmaker, one of the biggest problems YOU have is finding a traditional distribution deal (that actually makes sense) for your movie. With each passing day, we get closer and closer to a world where DVD sales channels are being replaced by video on demand. And while we are not there yet, after spending the greater part of last weekend watching streaming content on NetFlix and Hulu, I am now of the opinion that the days of DVD distribution are numbered.
One of the most important filmmaking strategies you must adopt in this era of modern moviemaking is a long term perspective. In years past, filmmakers focused on making one movie, selling it and then moving on to the next movie.
One secret I utilize is frequent press release submissions. Years ago, it was advised that you only wrote and submitted press releases when you had something newsworthy to say. But these days, in addition to targeting traditional news outlets, most press releases are included in search engine results. Without getting overly technical, this means for a very small amount of money, submitting one press release complete with links to your website can increase your web footprint.
Filmmaking is changing. Like it or not, if you want to make a living making movies, you need to learn about the business side of independent movie making. And if this is your first time on filmmaking stuff, you are reading step 4 of a 7 part series on how to sell your movie How To Sell Your Movie On iTunes, Amazon and Netflix For Maximum Profit.
Given all the changes in distribution, as a filmmaker, getting your movie seen and selling is no longer solely the responsibly of a 3rd party distributor. Once you have sharpened your hook and targeted your target audience, your next step is to set up shop in some of the many popular internet based marketplaces.
Richard Abramowitz is president of Abramorama, a consulting firm specializing in the production, marketing, distribution and representation of independent films. Earlier this week, Richard took a few minutes to chat with Filmmaking Stuff and answer questions regarding the current state of independent movie distribution…