What If You Choose Filmmaking As Your Next Small Business?
Most filmmakers either they understand the studio business or they understand indie filmmaking. But what about filmmaking as your next small business?
Most filmmakers either they understand the studio business or they understand indie filmmaking. But what about filmmaking as your next small business?
If you’ve been thinking about artificial intelligence (AI) in filmmaking, you might wonder if a robot will take your filmmaking job… And you’re …
Many times an independent filmmaker considers indie film to be sacred and avoids working with studios. Other filmmakers think studio movies are the …
Going up against the major film studios can be daunting for an independent film producer, especially when budget constraints and access to shooting …
Serious indie filmmakers stop at noting until the movie is actually in the can – or these days – in your hard drive. Still if you’ve been working to make movies for any length of time, you know there are days when you hit obstacles, sometimes so seemingly insurmountable that you just want to give up on your project. Don’t do it!
Sooner or later the filmmaking bug hits you. . . It’s like a far off voice or compulsion. But like breathing, for the serious independent filmmaker, the need to make a feature is always present.
We have entered the era of Digital VOD Distribution. In this filmmaking article, we provide three tips for Digital VOD Distribution success.
In this filmmaking article, LA Producer Jason Brubaker provides filmmaking advice for the modern filmmaker.
Take a look at your trailer. Is your trailer congruent with your hook and the marketing elements we covered earlier? If not, I suggest you recut and refine your trailer to make sure your marketing message is consistent. In doing this you will have to find the balance between showing enough to sell your movie and giving away so much that you spoil the story. And since your movie trailer will be posted on various websites, you should also add a title card with a link to your movie website.
Your filmmaking “Audience List” is your most important asset. And let me give you 5 reasons ALL filmmakers should start building their audience list (based on our mistakes) today!
I don’t give a crap about the idiot Hollywood snobs who would much rather ignore you and your HD camera. And so what if you never worked with Spielberg or for that matter any “name” talent. And who really cares if some band of ivy league film school graduates spent their 30k making an 8 minute, 35mm short, when you decided to make a feature?
If you’re filmmaker seeking practical filmmaking tips you can use TODAY, I’d like so share some thoughts with you. The world of filmmaking is changing. Producing content is getting cheaper. And distribution outlets are becoming increasingly accessible. While these changes have not fully hit mainstream Hollywood, you can rest assured that it’s only a matter of time until the ripple effect has a leveling impact.
This year marks my first time attending the world-renowned South By Southwest Festival, which features film, interactive and music events. Did I have …
For those of you following filmmaking stuff, you know that I have been working on an awesome and comprehensive filmmaking book for quite …
With sites like Indie GoGo and Kickstarter, filmmakers can finally raise money without asking permission. And while the vast majority of filmmakers limit their crowdfunding campaigns to a few thousand dollars – some filmmakers get super ambitious…
I love Kevin Smith’s attitude towards modern movie distribution. If you’re like most independent filmmakers, what Kevin was able to accomplish from his days of Clerks has been amazing. Back then, he not only dreamed the Sundance Dream, but he realized the dream as well.
With an independent movie market saturated with competition, producing a movie and finding a traditional distribution deal is increasingly challenging. After failing to garner a traditional distribution deal for my first feature, like a lot of filmmakers, I had to establish my own marketing company. And through the process, I figured out how to market and sell my movie online.
We’ve all heard many horror stories from filmmakers who were thrilled to find a distributor for their film only to find the film was mishandled, shelved or the company went under with no recourse for the filmmaker to claim their rights back. There are also distributors so coveted for their professionalism and skill at finding the right audiences for their titles that everyone wants to work with them.
“If you want to make a living making movies, you need to realize that your library and the subsequent audience you source (over your career) are your major assets. And, as a result, your most important filmmaking focus (aside from doing good work) is to acquire and keep a customer,” he emphasizes.
One of the most important filmmaking strategies you must adopt in this era of modern moviemaking is a long term perspective. In years past, filmmakers focused on making one movie, selling it and then moving on to the next movie.
The traditional independent filmmaking business was defined by a filmmaker finding a script, locating investors, raising money, making the movie and then landing an awesome distribution deal – and living happily ever after. Over the last few years, the entire model of indie filmmaking has gone Topsy-Turvy…
Your friendships with other filmmakers dictate the scope and scale of your movies. And while not everyone you meet in the movie industry is going to become your best friend, it’s always great to know who to call, to help you make things happen.
Richard Abramowitz is president of Abramorama, a consulting firm specializing in the production, marketing, distribution and representation of independent films. Earlier this week, Richard took a few minutes to chat with Filmmaking Stuff and answer questions regarding the current state of independent movie distribution…
In the essence of “Write it, Shoot it, Work it,” Jason Brubaker of Filmmaking Stuff chatted for about an hour or so on the mindset of an Independent Filmmaker… We focused on filmmaking in the New Digital Era as well as helping Filmmakers get their projects to the world. I shared the airwaves with Terence Dudley of Queinten Entertainment and Stanley Lozowski, Producer.
Chris Ward is an independent filmmaker currently residing in Stamford, Connecticut, which is about 35 miles outside New York City. Chris spent many years producing documentaries for Network television. He also teaches filmmaking at Quinnipiac University and the Maine Media Workshops. Fog Warning, his second feature, was just picked up by Wonderphil Productions and he has agreed to share his experience with Jason Brubaker of Filmmaking Stuff…
Filmmaking Stuff has filmmaking articles that cover the spectrum for independent filmmakers.