Filmmaking Secret Revealed: What They Don’t Want You To Know
Wouldn’t it be great if there was one big filmmaking secret? Something so incredible that if you applied it, you would accelerate your …
Wouldn’t it be great if there was one big filmmaking secret? Something so incredible that if you applied it, you would accelerate your …
One of the big secrets of film finance is finding out how to smell BS. Here are 5 Tips to find out if your “Rich Guy” is real.
In the past, filmmakers made a movie, got lucky and ended up with a BIG paycheck with incremental increases on the back end. These days filmmakers need to think about their movies in ways akin to how traditional investors think about dividends from bonds – once you make the investment, it’s a long term game!
For those of you who are adding your own thoughts to the Modern Moviemaking Manifesto, what I’m proposing is easier said than done. It is easy for me to talk about the success of our first feature. It is much more difficult to admit that our second feature bombed miserably.
What’s your biggest indie filmmaking challenge? In this filmmaking article, we explore your biggest challenges and what you can do to overcome them.
Because distribution was once discriminatory, many first time independent feature filmmakers had to hold their breath in hopes their movies would get into a film festival, buil buzz, and (hopefully) garner a great distribution deal, complete with a cash advance. But that is an outdated model.
One of the toughest parts of getting business minded prospective investors to take you seriously is distribution. Like it or not, your film distribution strategy has a ripple effect on all other aspects of your movie production, including film finance…
Being a new filmmaker is like navigating rough waters. In fact, making movies is one of the few jobs in the world that, …
What is your movie competition? Do you know? Well one of the Filmmaking Stuff readers sent the following question about this topic: Jason …
If you want to make a living in filmmaking, you’re in the right place. The one thing I absolutely love about being a …
So you are seeking ideas on how to turn your book into a movie. First of all, congratulations on finishing your book. Writing …
in the spirit of your own filmmaking success, I am going to offer you a Movie Maker Challenge for 2012 (Yeah, it might seem too early to set goals, but I think you’ll be OK…)
At speaking events, people always ask me questions about DIY or Self-Distribution – usually wondering if these methods are better than handing over all rights for some middle-man to get them into the many VOD outlets. My response is always the same…
For Los Angeles based fimmakers looking to take their show to business, I recommend checking out the next Norman Berns workshop. In this full-day, hands-on instruction, you will gain experience on scheduling, budgeting, business plans, ptiching, fundraising and distribution.
So if you happen to be one of those filmmakers with tons of ideas, but no feature credits, I highly suggest you focus less on finding someone to do the heavy lifting and instead, focus on testing the market to gain a realistic approach to your projects.
Earlier this week, I caught wind of an indie production company based in Australia called Rapidfire Productions. This is a production company that operates as a self sustaining modern moviemaking business. They develop movies, get money, make their movies and through their own distribution arm, the company reaches the masses.
Since publishing the modern moviemaking manifesto, some of you have written, requesting an online community where you can share ideas with other filmmakers involved in our movement. So I have taken the initial steps to creating the modern moviemaking community. If you want to be among the first to know about it (because it’s exclusive), make sure you get on the list.
For those of you considering producing your first feature, Film Scheduling is an invaluable part of the process. Your 1st AD is in charge of taking your screenplay, breaking it down and providing the initial schedule. That information is later used to budget your movie.