Jason Brubaker People always point out that a relationship with an agent is something like a marriage, but without the sex (usually). Which means that sometimes there will be a divorce—at this point, the high profile one is J. K. Rowling dumping hers…
Over the past few months, I have been working with Kenton Hoppas on his first feature, Career Courier. One of the ways he …
The Modern Moviemaking Movement was authored by nine of the most prominent filmmaker thought leaders in the world, including Jon Reiss of the famed book Think Outside The Box Office… And this action guide aims to help you navigate a filmmaking world driven by HDSLR technology and non-discriminatory distribution.
I haven’t tested Final Cut Pro X, but from what I hear – I do not want to. As usual, I think our friends at Apple have made early adopters beta testers for a product with a whole bunch of bugs…
If you find yourself with a movie and no idea how to sell it, get back to the basics. Unless you get an awesome distribution deal, then you are responsible for the success of your movie. The good news is, most of your sales will come from the internet. And you can get started today…
For filmmakers, the demand is HIGH for quality filmmaking and screenwriting how-to material and solutions. Make Your Movie Now! offers you with an affiliate program…
I wanted to provide you with some context. About 12 years ago, I produced and directed my second short film. After drinking a half bottle of wine, it seemed like a good idea to post it her
Before I moved to Los Angles, I stopped by my Pennsylvanian hometown for the Harrisburg Arts Film Festival. And there I saw a short movie called Burying Dvorak by a little known filmmaker named Levi Abrino. I gotta tell you, the film was awesome. Levi is talented…
As we enter the remaining six months of 2011, I am trying very hard to do a little less grinding, and hopefully finding time to have a lot more fun…
If you have seen me speak, you probably noticed that I use a lot of self-deprecating humor in my talks. For example, I usually talk about how bad my acting is, or how bad my movies are…
If you have a Kindle, and enjoy reading filmmaking stuff – I wanted to let you know that you can now access this …
As a filmmaker, one of the challenges you face is how to finance a film. When I was starting out, things were much different. Back then, if you wanted to finance a movie, you had to cross your fingers and wait for the gods to grant you permission…
I’m going to release a filmmaking book this summer. Read about it here…
Over the next year, I am hitting the road. I’m going from city to city to spread the word about modern movie distribution tactics and how YOU can benefit. I am doing this because the independent movie market is saturated with competition. Do you know of any film festivals seeking someone to put on a film festival workshop? If so, please send them a link to this page.
I spoke at the UCLA film school and I got the impression that the next generation of filmmakers are open to new ideas, and new ways of making movies. Thanks to familiarity with YouTube as well as access to affordable production equipment, many modern filmmakers are embracing accessible, non-discriminatory distribution channels without hesitation or excuses.
I love Kevin Smith’s attitude towards modern movie distribution. If you’re like most independent filmmakers, what Kevin was able to accomplish from his days of Clerks has been amazing. Back then, he not only dreamed the Sundance Dream, but he realized the dream as well.
Sometimes I think Google is taking over the world. So it’s no surprise that the company would get more and more involved in indie media distribution and create a marketplace for music and movies.
I get excited about Video On Demand and the various popular internet marketplaces like iTunes and Amazon, is because movie distribution is no longer discriminatory. This means that you can actually control your own business and marketing plan.
With an independent movie market saturated with competition, producing a movie and finding a traditional distribution deal is increasingly challenging. After failing to garner a traditional distribution deal for my first feature, like a lot of filmmakers, I had to establish my own marketing company. And through the process, I figured out how to market and sell my movie online.
One benefit of shooting with the Canon 7D was at a train station. Normally shooting this scene with another camera, it would catch a lot of attention and we probably would have been run off by security immediately. Knowing that there was no dialogue during this scene, I was able to shoot bare bones with the 7D and probably from a far, it looked like we were just taking pictures. No security ever questioned us and we filmed that entire sequence in under 40 minutes.
For Los Angeles based fimmakers looking to take their show to business, I recommend checking out the next Norman Berns workshop. In this full-day, hands-on instruction, you will gain experience on scheduling, budgeting, business plans, ptiching, fundraising and distribution.
As a result of lower priced production equipment, coupled with non-discriminatory distribution, YOU can make, market and sell your movie this year and you don’t need to ask permission.
Your filmmaking crowdfunding campaign will allow you to raise money – but as an important ancillary benefit, your campaign will also allow you test your movie concept with a built in, responsive focus group. Assuming you reach your funding goal, you will not only generate your initial buzz…
YouTube joined forces with a new app that allows you to create animated videos. This is a video I put together in like 5 minutes to tell the world about the free filmmaking tools available over at Free Filmmaking Book.
Jon Reiss and Sheri Candler stopped by Filmmaking Stuff a few months back to discuss the new role of the PMD. For those of you who aren’t aware of the term – PMD stands for producer of marketing and distribution. It’s a phrase Jon Reiss coined in his filmmaking book called Think Outside the Box Office.
If you’re a filmmaker with a movie… Before you accept some crappy distribution deal from a traditional movie distribution company – you might benefit form the following audio download. In this audio, I provide steps you can utilize to sell your movie without the middle-man.
You commit to working on some writing (or other) project that is important to you for up to 8 hours, with short breaks every hour. You plan it so you know what you’ll be doing (for instance, nobody will actually write for 8 hours, but it could be a combination: some research, some writing, some getting organized, etc.) You don’t have to participate for the full 8 hours–even four or six hours of focused effort will give you a big boost.
scoreAscore utilizes an innovative “name-your-price” platform, scoreAscore’s services are offered to filmmakers at no cost, with absolutely nothing to lose! Here is a scoreAscore video which describes the service in more detail.
A lot of filmmakers (who do not have website traffic) are being fed the idea that “content enablers” will magically source an audience. When I wrote the post about website streaming, I did so more in response to the never-ending slew of emails I get from various PR firms trying to push the next streaming gizmo for indie filmmakers – none of which solves the blatant problem of actually getting enough people to watch the movie…
If you’re in LA and you’re looking for modern filmmaking information, you might want to check out The Business of Entertainment IV. The …